Since we are not going to be opening this in another vector program we really don’t care about most of this.

Don’t worry about the EPS Export window.

EPS and PDF formats retain the vector qualities and if there is no background color the images will come into Photoshop with a Transparent Background. Drop down the Options window and check Selected Only.

Export the image from Corel as an EPS.

In order to add additional elements to it in Photoshop we want a transparent background. The important point to remember is that we really want to the Corel portion of the file to end up with no background in Photoshop. Unlike Adobe Illustrator files that can be opened in Photoshop (rasterized), Photoshop turns up it’s nose at a Corel file. As we all know, these two programs don’t really talk to each other. That said, let’s see the easiest way to take images from Corel to Photoshop. The truth is when you see a really hot photorealistic image on a shirt with a combination of shading, text and photo images – chances are it was done on high mesh count screens (230 and 305) with good tension, printed on a tight printing press and no trapping was done. But, for a lot of T-Shirt images that combine hard edges, type effects and photographs, it is sometimes easier to just output separations from Photoshop and not worry about trapping and choking. you can do trapping and choking easier in Corel. Note: Click on each image to make it larger. That is all well and good but with all the automated color separation programs on the market it is often easier to separate in Photoshop. Traditional artists are trained to take the Photoshop (photorealistic) portion of the artwork into Corel to ad vector elements.

There are many times you want to combine a piece of artwork from Corel Draw with something in Adobe Photoshop. Combining Images from Corel Draw with Adobe Photoshop

Corel and photoshop